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Gallery Text

This portrait features an East London mother, Kaya Palmer, and her two young daughters. The trio is represented in a format and style once reserved for deities and wealthy public figures; Palmer’s hands link the three in a powerful trinity. Like Wiley’s other works, the painting continues a tradition of Black portraiture established by artists such as Barkley Hendricks (visit Gallery 3620, Level 3, to see an example). Unlike Hendricks’s stark backgrounds, Wiley’s are lush and ornate, often carrying symbolic meaning.

The painting is from a series titled The Yellow Wallpaper, referencing Charlotte Perkins Gilman’s 1892 feminist short story of the same name, which fictionalized the author’s involuntary “rest cure.” Wiley juxtaposes Gilman’s account of confinement with the agency and unfettered presence of his sitters. The intricately patterned background is inspired by English textile designer William Morris’s 19th-century patterns, which Wiley encountered as a child in his mother’s thrift shop.

Identification and Creation

Object Number
TL42289
People
Kehinde Wiley, American (Los Angeles, California born 1977)
Title
Portrait of Asia-Imani, Gabriella-Esnae, and Kaya Palmer
Classification
Paintings
Work Type
painting
Date
2020
Places
Creation Place: East Asia, China, Beijing
Culture
American
Persistent Link
https://hvrd.art/o/372815

Physical Descriptions

Medium
Oil on linen
Dimensions
265.1 × 202 cm (104 3/8 × 79 1/2 in.)

Provenance

Recorded Ownership History
Kehinde Wiley, created 2020; [Stephen Friedman Gallery, London], sold; to The Tim and Danny Art Foundation, Los Angeles.

Acquisition and Rights

Credit Line
The Tim & Danny Art Foundation
Copyright
© Kehinde Wiley
Object Number
TL42289
Permissions

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Exhibition History

  • 32Q: 1330 Mid-Century Figurative, Harvard Art Museums, Cambridge, 09/04/2021 - 04/10/2023
  • The Yellow Wallpaper, William Morris Gallery, 02/22/2020 - 07/12/2020