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A man riding a brown horse gallops in from the left on a green path along the ocean.

The man rides shirtless and barefoot with his waist wrapped in a coral-colored flowing garment, he and the horse are seen from behind. There’s a coconut palm tree leaning in from the left along the path. A tall, verdant rock wall on the left blends into mountainous landscape of the background, depicted in layers of blue and purple. The water is calm with low white waves meeting the rocks that dot the coast. The sky is a light blue with thin pink and light purple clouds floating on right. The watercolors are thick and saturated.

Identification and Creation

Object Number
1917.4
People
John La Farge, American (New York, NY 1835 - 1910 Providence, RI)
Title
A Bridle Path in Tahiti
Other Titles
Former Title: Bridle-Path, Tahiti
Classification
Drawings
Work Type
drawing
Date
c. 1900
Culture
American
Persistent Link
https://hvrd.art/o/305884

Physical Descriptions

Medium
Transparent and opaque watercolor over graphite on off-white wove paper mounted on cardboard
Dimensions
48 × 51.8 cm (18 7/8 × 20 3/8 in.)
frame: 75.7 × 82 × 1.9 cm (29 13/16 × 32 5/16 × 3/4 in.)
Inscriptions and Marks
  • exhibition label: [1987], backing board, paper: No. 85
  • exhibition label: [1945], backing board, paper: No. L53-45
  • label: [1936], backing board, paper: [partial exhibition label:] Special Loan Exhibition: La Farge Memorial
  • exhibition label: [1946], backing board, paper: No. 2432.46
  • exhibition label: [1936], backing board, paper: No. 327.36.

Provenance

Recorded Ownership History
Purchased by Doll and Richards (from artist?), Boston, 1901; purchased by Dr. Alexander C. Humphreys, New York, by 1907; his estate sale, American Art Association, New York, 1917; purchased at that sale by Edward D. Bettens, Cambridge, MA.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Edward D. Bettens to the Louise E. Bettens Fund
Accession Year
1917
Object Number
1917.4
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Henry A. La Farge, Catalogue Raisonné of the Works of John La Farge, Unpublished (n.d.), card 371
  • "The Art World", The Commercial Advertiser [New York ] (New York, NY, November 10, 1900), p. 6
  • John La Farge, "Passages from a Diary in the Pacific: Tahiti", Scribner's Magazine (July 1901), pp. 69-83, ill. p. 79
  • "Pictures by John La Farge", The New York Times (New York, NY, January 25, 1901), p. 7, p. 7
  • Catalogue of Works by John La Farge, exh. cat., Montross Gallery (New York, NY, 1901), cat. 102
  • Carnegie Institute, Catalogue of Works by John La Farge, exh. cat. (Pittsburgh, PA, 1901), cat. 90
  • "La Farge Exhibits Many Paintings", The Boston Herald (Boston, MA, February 29, 1904), p. 5, p. 5
  • "Auction Sales 1916 - 1917", American Art Annual (New York, NY, 1917), no. 14, p. 370, p. 370
  • Edward Detraz Bettens, Painter and Patron, [Privately printed] (New York, NY, 1918), p. 8
  • Women's Civic Club, Exhibition of Paintings by American Artists, exh. cat., Crandall Free Library (Glens Falls, NY, 1933), cat. 15
  • The Metropolitan Museum of Art, An Exhibition of the Work of John La Farge, exh. cat., Blanchard Press, Inc. (New York, NY, 1936), no. 64, reproduced in b/w
  • Lloyd Goodrich, American Watercolor and Winslow Homer, exh. cat., Walker Art Center (Minneapolis, MN, 1945), p. 36
  • Fogg Art Museum and Benjamin Rowland, Jr., Real and Ideal in American Art, exh. cat. (Cambridge, MA, Summer 1948), cat. 25
  • Marco Valsecchi, Mostra di Pittura Americana del XIX Secolo, exh. cat., De Luca Editore (Rome, Italy, 1954), no. 86
  • Lloyd Goodrich, Art of the United States: 1670-1966, exh. cat., Whitney Museum of American Art (New York, NY, 1966), p. 151, cat. 167
  • Marco Valsecchi, Landscape Painting of the Nineteenth Century/ Mostra di pittura americana del XIX secolo, New York Graphic Society (Greenwich, CT, 1969), reproduced plate 282
  • Evelyne de Chazeaux, Lettres des Mers du Sud, Musée de l'Homme (Paris, France, 1974), reproduced as pl. 25, after p. 434
  • Stuart Preston, "A Puritan in Paradise: Henry Adams in Oceania", Art Studies for an Editor: 25 Essays in Memory of Milton S. Fox, ed. Frederick Hartt and Patricia Egan, Harry N. Abrams, Inc. (New York, NY, 1975), ill. p. 233
  • Donelson F. Hoopes, American Watercolor Painting, Watson-Guptill Publications (New York, NY, 1977), p. 64, p. 115, pl. 19
  • Diana Chalmers Johnson, American Art Nouveau, Harry N. Abrams, Inc. (New York, NY, 1979), p. 235, ill
  • Kathleen Eagen Johnson, "John La Farge", Antiques and the Arts Weekly (September 18, 1987), reproduced p. 1
  • Kathleen A. Foster, John La Farge and the American Watercolor Movement: Art for the "Decorative Age.'" (1987), pg. 151, repro. 152
  • Henry B. Adams et al., John La Farge: Essays, exh. cat., Abbeville Press (New York, NY, 1987), pp. 60, 151, reproduced in color p. 152
  • James L. Yarnall, "John La Farge and Henry Adams in the South Seas", American Art Journal (New York, NY, Summer 1988), pp. 51-109, pp. 102 - 103, ill.
  • "John La Farge Exhibit", Sentinel-Enterprise [Fitchburg] (Fitchburg, MA, March 19, 1988 - March 20, 1988), reproduced p. 3A
  • "La Farge", Exhibit Magazine of Art (January 1988 - February 1988), ill. p. 13
  • "The Creative Diversity of John La Farge", USA Today Magazine, USA Today Magazine (March 1988), no. 116, ill. pp. 44 - 45
  • Frederic Hunter, "Two Artists in Tahiti, Worlds Apart", The Christian Science Monitor (February 4, 1991), reproduced p. 16
  • James L. Yarnall, Recreation and Idleness: The Pacific Travels of John La Farge, exh. cat., Vance Jordan Fine Art, Inc. (New York, NY, 1998), p. 118; reproduced in color, fig 151, p. 120
  • David Cleveland, "The New York Water Color Club", The Magazine Antiques (November 2005), pp. 114-121, p. 121, pl. XI (color)
  • Theodore E. Stebbins, Jr., American Watercolors and Pastels 1875-1950 at the Fogg Art Museum, brochure, Harvard University Art Museums (Cambridge, MA, 2006), checklist
  • Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 207, cat. 159, ill. p. 208
  • Elisabeth Hodermarsky, John La Farge's Second Paradise: Voyages in the South Seas, 1890-1891, exh. cat., Yale University Art Gallery (New Haven, 2010), cat. no. 47, fig. 105, pp. 139-140, detail repr. p. 122, checklist p. 214
  • James L. Yarnall, John La Farge, A Biographical and Critical Study, Ashgate Publishing (Burlington, VT, 2012), pp. 259-260, halftone reproduction of drawing p. 259 as fig. 9.17
  • Jessica Skwire Routhier, American Watercolor in the Age of Homer and Sargent, Antiques & The Arts Weekly ([e-journal], February 21, 2017), https://www.antiquesandthearts.com/american-watercolor-in-the-age-of-homer-and-sargent/, accessed July 11, 2017
  • Kathleen A. Foster, American Watercolor in the Age of Homer and Sargent, exh. cat., Philadelphia Museum of Art (Philadelphia, 2017), p. 267, fig. 219, repr. p. 256 (detail)
  • Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), pp. 52-55, 73, repr. as fig. 1 on p. 52 [detail], pl. 4 on p. 73

Exhibition History

  • Eleventh Annual Exhibition of the New York Water Color Club, American Fine Arts Society, New York, 11/10/1900 - 12/02/1900
  • Catalogue of Works by John La Farge, Montross Gallery, New York, 01/24/1901 - 02/23/1901; Carnegie Institute, Pittsburgh, 03/27/1901 - 04/10/1901
  • Grosse Berliner Kunst-Austellung, Berlin International Exposition, Berlin, 01/01/1903 - 12/31/1903
  • Exhibition and Private Sale of Pictures, Drawings and Sketches by Mr. John La Farge, Doll and Richards Gallery, Boston, 02/26/1904 - 03/16/1904
  • Exhibit of American Paintings from the Collection of Dr. Alexander Humphreys, Lotos Club, New York, 03/30/1907 - 03/30/1907
  • Exhibition of Paintings Lent by Dr. A. C. Humphreys of New York City to the Department of Fine Arts, Carnegie Institute, Pittsburgh, 01/01/1914 - 12/31/1914
  • Exhibition of Paintings by American Artists, Crandall Free Library, Glens Falls, 03/01/1933 - 03/31/1933
  • Watercolors by 12 Americans, Addison Gallery of American Art, Andover, 05/22/1933 - 06/26/1933
  • An Exhibition of the Work of John La Farge, The Metropolitan Museum of Art, New York, 03/23/1936 - 04/26/1936
  • Prints and Drawings by Winslow Homer and John La Farge, Museum of Fine Arts, Boston, Boston, 06/25/1936 - 08/02/1936
  • Unidentified Watercolor Exhibition, Winchester Art Association, 1940, Winchester Art Association, Winchester, 11/29/1939 - 12/31/1939
  • A History of American Watercolor Painting, Whitney Museum of American Art, New York, 01/27/1942 - 02/25/1942
  • American Watercolor and Winslow Homer, Walker Art Center, Minneapolis, 02/27/1945 - 03/23/1945; Detroit Institute of Arts, Detroit, 04/03/1945 - 05/01/1945; Brooklyn Museum of Art, Brooklyn, 05/15/1945 - 06/12/1945
  • A History of American Watercolor Painting, Currier Museum of Art, Manchester, 12/02/1945 - 12/27/1945; Munson-Williams-Proctor Arts Institute, Utica, 01/06/1946 - 01/27/1946; Columbus Gallery of Fine Arts, Columbus, 02/06/1946 - 02/26/1946; Baltimore Museum of Art, Baltimore, 03/10/1946 - 04/14/1946; Seattle Art Museum, Seattle, 05/08/1946 - 06/02/1946; San Francisco Museum of Modern Art, San Francisco, 06/16/1946 - 07/14/1946; William Rockhill Nelson Gallery of Art (now Nelson-Atkins), Kansas City, 07/25/1946 - 08/18/1946; National Gallery of Canada, Ottawa, 09/01/1946 - 09/25/1946; Wadsworth Atheneum Museum of Art, Hartford, 10/06/1946 - 10/27/1946; George Walter Vincent Smith Art Museum, Springfield, 11/08/1946 - 11/28/1946
  • Real and Ideal in American Art, Fogg Art Museum, Cambridge, 06/01/1948 - 09/01/1948
  • Nineteenth Century American Paintings, Städelsches Kunstinstitut, Frankfurt, 03/01/1953 - 04/30/1953; Kunsthaus Munich, Munich, 05/01/1953 - 05/31/1953; Kunsthalle Hamburger - see Hamburger Kunsthalle, 07/01/1953 - 07/31/1953; Charlottenburger Schloss, Berlin, 09/08/1953 - 10/13/1953; Kunstsammlunger der Stadt, Dusseldorf, 11/01/1953 - 12/15/1953; Galleria Nazionale d'Arte Moderna, Roma, Rome, 01/16/1954 - 02/16/1954; Palazzetto Reale, Milan, 02/18/1954 - 03/15/1954; Whitney Museum of American Art, New York, 04/21/1954 - 05/23/1954
  • Boston Arts Festival, Boston Public Gardens, Boston, 06/04/1955 - 06/19/1955
  • Unidentified Exhibition, Thomas Crane Public Library, 1955, Thomas Crane Public Library, Quincy, 08/15/1955 - 08/20/1955
  • American Paintings from the Fogg Art Museum, Harvard University, Symphony Hall, Boston, 02/21/1958 - 03/15/1958
  • A Change of Sky: Paintings by Americans Who Have Worked Abroad, American Academy of Arts and Letters, New York, 03/04/1960 - 04/03/1960
  • John La Farge, Graham Gallery, New York, 05/04/1966 - 06/10/1966
  • Art of the United States, 1670-1966, Whitney Museum of American Art, New York, 09/27/1966 - 11/27/1966
  • Watercolors from the Fogg: An Historical Collection, St. Paul's School, Concord, 10/12/1971 - 11/20/1971
  • John La Farge, National Museum of American Art, Washington, 07/10/1987 - 10/12/1987; Carnegie Museum of Art, Pittsburgh, 11/07/1987 - 01/03/1988; Museum of Fine Arts, Boston, Boston, 02/24/1988 - 04/24/1988
  • American Watercolors and Pastels, 1875-1950, at the Fogg Art Museum, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/08/2006 - 06/25/2006
  • John La Farge's Second Paradise: Voyages in the South Seas, 1890-1891, Yale University Art Gallery, New Haven, 10/19/2010 - 01/02/2011; Addison Gallery of American Art, Andover, 01/22/2011 - 03/27/2011
  • American Watercolor in the Age of Homer and Sargent, Philadelphia Museum of Art, Philadelphia, 03/01/2017 - 05/14/2017
  • American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, 05/20/2023 - 08/13/2023

Subjects and Contexts

  • Collection Highlights
  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu