Harvard Art Museums > 2005.110: Deep Circular Charger with Everted Lip and Blossoming Peony Decor Vessels Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Deep Circular Charger with Everted Lip and Blossoming Peony Decor , 2005.110,” Harvard Art Museums collections online, Nov 14, 2024, https://hvrd.art/o/20972. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Gallery Text Like the Charger with Peacock Decoration displayed nearby, this large dish was likely fashioned for a foreign buyer, as wares of this shape and size were not traditionally used in China. Its decorative motif, however, of a double peony with one blossom up and the other down, is Chinese. A floral scroll of blossoming lotuses interspersed with lotus leaves occupies the inner walls, while designs of flowering and fruiting branches decorate the rim. This pattern is relatively rare (one of the few other published examples comes from a set of chargers in the Ardebil Shrine in Tehran), but the exceptional quality of the painting on this piece is even more remarkable. Jingdezhen blue-and-white porcelain produced during the Yongle (1403–24) and Xuande (1426–35) reigns is considered the finest, most desirable blue-and-white ware ever made because of its radiant glaze, superb porcelain body, magnificent cobalt-blue color, and expertly rendered painted decoration. Although many of the early fifteenth-century wares produced at Jingdezhen were created for the Chinese imperial court, some were made specifically for export to wealthy clients in the Islamic world. Identification and Creation Object Number 2005.110 Title Deep Circular Charger with Everted Lip and Blossoming Peony Decor Classification Vessels Work Type vessel Date early 15th century (probably Yongle period) Places Creation Place: East Asia, China, Jiangxi province, Jingdezhen Period Ming dynasty, 1368-1644 Culture Chinese Persistent Link https://hvrd.art/o/20972 Physical Descriptions Medium Blue-and-white ware: porcelain with decoration painted in underglaze cobalt blue Dimensions H. 7.0 x Diam. 40.5 cm (2 3/4 x 15 15/16 in.) Provenance Recorded Ownership History Richard Bryant Hobart, Cambridge, MA (by 1963), by inheritance; to Mabel Hobart Wentworth, Washington DC (1963–1969), sold; through [Parke Bernet Galleries, New York, December 1969], sold; through [Spink and Son, London, 1969]; to F. Gordon and Elizabeth Hunter Morrill Collection, Boston/ Del Ray, Florida/ Florence, Italy, (1969–2003), sold; to [Doyle Galleries, New York, September 2003], sold; to [S. Marchant & Son, London, September 2003–March 2005], sold; to [Chinese Porcelain Company, New York, March–August 2005], sold; to Harvard University Art Museum, August 2005. Notes: 1. Richard Bryant Hobart (1885–1963), Harvard College Class of 1906 2. Mabel "Muffie" Hobart Wentworth Brandon Cabot (b. 1936), daughter of Richard Bryant Hobart and Janet Elliott Wulsin (1894–1963) 3. Ferdinand Gordon Morrill (1910–2000) 4. Elizabeth Hunter Morrill (1912–2003) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Purchase through the generosity of the Ralph C. Marcove International Understanding Through Arts and Crafts Foundation Accession Year 2005 Object Number 2005.110 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History The Richard Bryant Hobart Collection of Chinese Ceramics & Paintings, Part Two, auct. cat., Parke-Bernet Galleries, Inc. (New York, 1969), pp. 40-41, no. 214 Harvard University Art Museums, Harvard University Art Museums Annual Report 2005-2006 (Cambridge, MA, 2007), p. 13 Stephan Wolohojian and Alvin L. Clark, Jr., Harvard Art Museum/ Handbook, ed. Stephan Wolohojian, Harvard Art Museum (Cambridge, 2008), p. 54 Exhibition History Cultivating Virtue: Botanical Motifs and Symbols in East Asian Art, Harvard University Art Museums, Cambridge, 07/08/2006 - 04/08/2007 Downtime, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 04/28/2007 - 04/20/2008 Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013 Re-View: S228-230 (Asian rotation: 6), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/24/2011 - 11/12/2011 Cultivating Virtue: Botanical Motifs and Symbols in East Asian Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/12/2012 - 06/01/2013 32Q: 2600 East Asian, Japanese, Chinese and Korean, Harvard Art Museums, Cambridge, 11/16/2014 - 11/22/2021 Subjects and Contexts Google Art Project Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu