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Identification and Creation

Object Number
1965.319
People
Pablo Ruiz Picasso, Spanish (Malaga, Spain 1881 - 1973 Mougins, France)
Title
The Bathers
Classification
Drawings
Work Type
drawing
Date
1918
Culture
Spanish
Persistent Link
https://hvrd.art/o/296394

Physical Descriptions

Medium
Graphite on cream wove paper
Dimensions
23 x 31.9 cm (9 1/16 x 12 9/16 in.)
framed: 39.7 x 47.6 cm (15 5/8 x 18 3/4 in.)
Inscriptions and Marks
  • Signed: graphite, l.r.: Picasso / 18

Provenance

Recorded Ownership History
[Paul Rosenberg, Paris], sold; to Paul J. Sachs, Cambridge, Massachusetts (L. 2091), 1920, bequest; to Fogg Art Museum, 1965.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Paul J. Sachs, Class of 1900: A testimonial to my friend W. G. Russell Allen
Copyright
© Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Accession Year
1965
Object Number
1965.319
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Christian Zervos, Pablo Picasso, Editions Cahiers d'art (Paris, 1932-1978), vol. 3, no. 233, pl. 81
  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), no. 742, fig. 400
  • Fifteen Drawings [by Picasso], Pantheon Books (Paris, 1946), pl. 7
  • Paul J. Sachs, Modern Prints and Drawings, Alfred A. Knopf, Inc. (New York, NY, 1954), pl. 100
  • Agnes Mongan, De Clouet a Matisse: Dessins français des collections américaines, exh. cat., Musée de l'Orangerie (Paris, 1958), no. 218, pl. 220
  • Agnes Mongan, Van Clouet tot Matisse: tentoonstelling van franse tekeningen uit amerikaanse collecties, exh. cat., Museum Boymans (Rotterdam, 1958), no. 218, pl. 204b
  • Agnes Mongan, French Drawings from American Collections: Clouet to Matisse, exh. cat., The Metropolitan Museum of Art (New York, 1959), cat. no. 218, pp. 140-41, pl. 204b, repr.
  • Jakob Rosenberg, Great Draughtsmen from Pisanello to Picasso, Harvard University Press (Cambridge, MA, 1959), no. 236b, p. 130, xxiv
  • John Richardson, ed., Picasso: An American Tribute, exh. cat., Public Education Association and Chanticleer Press (New York, 1962), fig. 1
  • Sidney Simon and Emily S. Rauh, 20th Century Master Drawings, exh. cat., Fogg Art Museum (Cambridge, MA, 1963), no. 103
  • H. Wade White, "Recent Acquisitions: Five 'Testimonials' in the Bequest of Paul J. Sachs", Fogg Art Museum Newsletter (October 1965), vol. 3, no. 1, repr.
  • Agnes Mongan, Memorial Exhibition: Works of Art from the Collection of Paul J. Sachs [1878-1965]: given and bequeathed to the Fogg Art Museum, Harvard University, Cambridge, Massachusetts, exh. cat., Harvard University (Cambridge, MA, 1965), cat. no. 67, repr.
  • Jean Leymarie, Picasso: Metamorphose et Unité, Skira (Geneva, Switzerland, 1971), p. 55, repr.
  • Gary Tinterow, Master Drawings by Picasso, exh. cat., Fogg Art Museum (Cambridge, Mass., 1981), cat. no. 57, repr.
  • Kenneth Silver, Esprit de Corps: The Art of the Parisian Avant-garde and the First World War, 1914-1925, Thames & Hudson (London, 1989), fig. 181, p. 272
  • Elizabeth Cowling, Picasso: Style and Meaning, Phaidon Press Limited (London, 2002), pp. 402-404, fig. 354 (color)
  • Laurence Madeline, ed., Picasso Ingres, exh. cat., Réunion des Musées Nationaux and Librairie Arthème Fayard (Paris, 2004), cat. no. 7, repr. p. 84 (color)
  • Elizabeth Cowling and Richard Kendall, Picasso Looks at Degas, exh. cat., Sterling and Francine Clark Art Institute (Williamstown, MA, 2010), fig. 209
  • Kenneth Clark, The Nude: A Study in Ideal Form, Folio Society (London, 2010), p. 3, repr. in color p. 5 as fig. 3
  • Susan Grace Galassi and Marilyn McCully, Picasso's Drawings 1890-1921: Reinventing Tradition, exh. cat., The Frick Collection and Yale University Press (U.S.) (New Haven and London, 2011), pp. 238-240, cat. no. 63, ill.
  • Marilyn McCully, Michael Raeburn, and Jean-Louis Andral, Picasso: Cote d'Azur, exh. cat., Les Éditions Hazan (Monaco, 2013), p. 16-17, fig. 4, ill.
  • Julie Pierotti, The Real Beauty: The Artistic World of Eugenia Errázuriz, exh. cat., Dixon Gallery and Gardens (Memphis, TN, 2018), pp. 61-62, fig. 33, ill. (color)

Exhibition History

  • Drawings from the Fogg Museum of Art, Harvard University (Collected by Paul J. Sachs), Century Club, New York, 05/12/1947 - 09/25/1947
  • Picasso, The Art Institute of Chicago, Chicago, 05/20/1957 - 12/01/1957
  • French Drawings from American Collections: Clouet to Matisse, Museum Boymans, Rotterdam, 07/31/1958 - 09/28/1958; Musée de l'Orangerie, Paris, 10/24/1958 - 01/02/1959; The Metropolitan Museum of Art, New York, 02/03/1959 - 03/15/1959
  • 20th Century Master Drawings, Solomon R. Guggenheim Museum, New York, 11/06/1963 - 01/05/1964; University of Minnesota Art Gallery, Minneapolis, 02/03/1964 - 03/15/1964; Fogg Art Museum, Cambridge, 04/06/1964 - 05/24/1964
  • Memorial Exhibition: Works of Art from the Collection of Paul J. Sachs [1878-1965] Given and Bequeathed to the Fogg Art Museum Harvard University Cambridge, Massachusetts, Fogg Art Museum, Cambridge, 11/15/1965 - 01/15/1966; The Museum of Modern Art, New York, 12/19/1966 - 02/26/1967
  • Master Drawings by Picasso, Fogg Art Museum, Cambridge, 02/20/1981 - 04/05/1981; The Art Institute of Chicago, Chicago, 04/29/1981 - 06/14/1981; Philadelphia Museum of Art, Philadelphia, 07/11/1981 - 08/23/1981
  • Picasso: Drawings of the Classical Period, Arkansas Arts Center, Little Rock, 12/04/1987 - 01/31/1988
  • The Harvard Society for Contemporary Art, Harvard University Art Museums, Cambridge, 08/29/1992 - 03/07/1993
  • Instrument of Invention: Picasso and Drawing from 1907-1938, Pace Wildenstein Gallery (57th St.), New York, 04/28/1995 - 06/20/1995
  • The Heavenly Twins: Edward W. Forbes, Paul J. Sachs and the Building of a Collection, Harvard University Art Museums, Cambridge, 09/23/1995 - 12/17/1995
  • Picasso Ingres, Musée national Picasso-Paris, Paris, 03/16/2004 - 06/21/2004
  • Picasso's Drawings, 1890–1921: Reinventing Tradition, National Gallery of Art, Washington, 02/05/2012 - 05/06/2012

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu