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Gallery Text

Monet painted this composition at the end of a decade marked by the impressionists’ sustained experimentation with still-life painting. His depiction of this pair of common fish is indebted to the myriad styles that had influenced him and his contemporaries during the 1870s. These included the large flower paintings of the romantic artist Eugène Delacroix, who died in 1863, and Edouard Manet’s studied reinterpretations of the Spanish, Dutch, and French still-life traditions. Manet’s emulation of the work of the eighteenth-century painter Jean-Siméon Chardin was particularly influential, as it coincided with critical reexamination of Chardin’s career in the 1860s, heralding him as the great French master of still life. Monet’s closely cropped view of fish on a white cloth reveals his attentiveness to these precedents, while his elevated viewpoint highlights the food’s imminent preparation for consumption.

Identification and Creation

Object Number
1925.16
People
Claude Monet, French (Paris, France 1840 - 1926 Giverny, France)
Title
Red Mullets
Other Titles
Original Language Title: Rougets
Alternate Title: Still Life of Fish / Fish (Mullets) / Fish
Classification
Paintings
Work Type
painting
Date
c. 1870
Culture
French
Persistent Link
https://hvrd.art/o/231940

Location

Location
Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age
View this object's location on our interactive map

Physical Descriptions

Medium
Oil on canvas
Dimensions
31.1 x 46 cm (12 1/4 x 18 1/8 in.)
framed: 53.34 x 67.95 x 6.67 cm (21 x 26 3/4 x 2 5/8 in.)
Inscriptions and Marks
  • Signed: l.r.: Claude Monet
  • exhibition label: back of canvas, paper: no. 24 [for "Color in Art" exhibition]
  • exhibition label: back of canvas, paper: TR 52/24 [for "Color in Art" exhibition]
  • exhibition label: back of canvas, paper: No. L57.994 / Lent by Fogg Art/ Museum, Howard [sic] University.
  • (not assigned): ph 3228 in blue paint on stretcher (from verso photo on TMS)
  • (not assigned): Monet n.5102 Rougets 1880, pen on paper sticker on stretcher (from verso photo on TMS)
  • (not assigned): Monet n. 3918 Routgets 1880 [OA2? illeg] on stretcher (from verso photo on TMS)

Provenance

Recorded Ownership History
Edmond Maitre, Paris (friend of Bazille). [Durand-Ruel, Inc., Paris, 1899]. Dr. A.C. Barnes, 1915. [Durand-Ruel, Paris/New York], sold; to Friends of the Fogg Art Museum, 1925, gift; to Fogg Art Museum,1925.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund
Accession Year
1925
Object Number
1925.16
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Fogg Art Museum Handbook, Fogg Art Museum (Cambridge, MA, 1927), repr. in b/w p. 54
  • Fogg Art Museum Handbook, Fogg Art Museum (Cambridge, MA, 1931), repr. in b/w p. 67
  • Fogg Art Museum Handbook, Fogg Art Museum (Cambridge, MA, 1936), ill. p. 98
  • Oscar Reuterswärd, Monet, en konstnarshistorik, Albert Bonniers Förlag (Stockholm, Sweden, 1948), pp. 27, 280
  • Claude Monet: A Loan Exhibition, exh. cat., City Art Museum of St. Louis (St. Louis, MO, 1957), repr. as no. 11
  • Anne V. Dort, "French Art of the 19th Century", Boston Symphony Orchestra Concert Bulletin (Boston, MA, 1958 -1959), no. 21, p.1316
  • Denis Rouart and Leon Degand, Claude Monet, Skira (New York, NY, 1958), repr. p. 43
  • William Chapin Seitz, Claude Monet, Harry N. Abrams, Inc. (New York, NY, 1960), p.23, repr. no. 24
  • Highlights from the Collections of the Fogg Museum and Harvard Alumni of St. Louis, exh. cat., City Art Museum of St. Louis (St. Louis, 1964), cat. 33
  • Raymond Cogniat, Monet and his World, Viking Press (New York, NY, 1966), repr. p. 42
  • Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, 1967)
  • Paintings, Sculpture and Drawings from the Fogg Art Museum, exh. cat., Albright-Knox Art Gallery (Buffalo, NY, 1967), cat. 36
  • L'Opera completa di Claude Monet, 1870-1889, Rizzoli (Milan, Italy, 1972), repr. p. 90
  • Daniel Wildenstein, Claude Monet: Biographie et Catalogue Raisonné, La Bibliothèque des Arts (Lausanne, Switzerland, 1974 - 1991), p. 180, no. 140
  • James N. Carpenter, Color in Art: A Tribute to Arthur Pope, exh. cat., Fogg Art Museum (Cambridge, MA, 1974), p. 60, cat. 24, ill.
  • Brian Petrie, Claude Monet-the First of the Impressionists, Phaidon (Oxford, England, 1979), p. 77, repr. in b/w p. 79, pl. 67
  • Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, repr. in b/w, fig. 14, p.28
  • Nathan Goldstein, Design and Composition, Prentice-Hall (Englewood Cliffs, NJ, 1989), repr. in b/w, fig. 5.24, p. 119
  • J. Patrice Marandel, "A Note on Bazille's Still Life and Fish of 1865", Bulletin of the Detroit Institute of Arts, Detroit Institute of Arts Founders Society (Detroit, MI, 1990), vol. LXV, no. 4, repr. in b/w, fig. 5, p. 9
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), pp. 120, 245, repr. b/w cat. no. 346
  • Richard R. Brettell, Impressionism: Painting Quickly in France, 1860-1890, exh. cat., Yale University Press/Sterling and Francine Clark Art Instiitute (New Haven, 2000), p. 114, repr. in color as pl. 68
  • Ségolène Le Men, Monet, Citadelles & Mazenod (Paris, 2010), p. 120, repr. p. 119 as ill. 95
  • Agnes Husslein-Arco and Stephan Koja, ed., Looking at Monet: The Great Impressionist and his Influence on Austrian Art, exh. cat., Hirmer (Vienna, 2014), ill. p. 166
  • George T.M. Shackelford, Monet: The Early Years, exh. cat., Kimbell Art Museum (Fort Worth, TX, 2016), cat. no. 29, pp. 139-140, repr. p. 141, detail repr. pp. 80-81
  • George T.M. Shackelford, Richard Shiff, Anthea Callen, Richard Thomson, and Yale University Press, Monet: The Early Years, exh. cat. (New Haven, 2016), pp.139-141; repr. as cat.29 on p.141
  • Andrew J. Eschelbacher and Lloyd DeWitt, ed., Farm to Table: Art, Food, and Identity in the Age of Impressionism, exh. cat., Yale University Press and Chrysler Museum of Art (New Haven and London, 2024), no. 46, repr.

Exhibition History

  • Monet, Durand-Ruel [New York], New York, 01/01/1915 - 12/31/1915
  • Monet and the Beginning of Impressionism, Currier Museum of Art, Manchester, 09/01/1949 - 11/30/1949
  • Claude Monet, City Art Museum of St. Louis, St. Louis, 09/25/1957 - 10/22/1957; Society of Fine Arts, Minneapolis, 11/01/1957 - 12/01/1957
  • Unidentified Exhibition, University of Georgia, 1958, University of Georgia, Athens, 01/01/1958 - 03/15/1958
  • French Art of the 19th Century, Symphony Hall, Boston, 03/24/1959 - 04/24/1959
  • Paintings, Sculpture and Drawings from the Fogg Art Museum, Albright-Knox Art Gallery, Buffalo, 05/08/1967 - 06/11/1967
  • Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967
  • Color in Art: A Tribute to Arthur Pope, Fogg Art Museum, Cambridge, 04/25/1974 - 06/16/1974
  • Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
  • Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986
  • Frederic Bazille: Prophet of Impressionism, Musée Fabre, Montpellier, 07/11/1992 - 10/04/1992
  • Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000
  • Impressionism: Painting Quickly in France, 1860-1890, National Gallery, London, 11/01/2000 - 01/08/2001; Van Gogh Museum, Amsterdam, 03/02/2001 - 05/20/2001
  • 32Q: 2100 19th Century, Harvard Art Museums, Cambridge, 11/16/2014 - 07/14/2016; Harvard Art Museums, Cambridge, 07/11/2017 - 05/01/2025
  • Monet: The Early Years, Kimbell Art Museum, Fort Worth, 10/16/2016 - 01/29/2017; California Palace of the Legion of Honor, San Francisco, 02/25/2017 - 05/29/2017
  • Farm to Table: Art, Food, and Identity in the Age of Impressionism, Cincinnati Art Museum, 06/13/2025 - 09/21/2025

Subjects and Contexts

  • Google Art Project

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu