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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1921.13
People
Giovanni di Paolo, Italian (c. 1398/99 - 1482)
Title
Saint Catherine of Siena
Classification
Paintings
Work Type
painting
Date
c. 1462
Places
Creation Place: Europe, Italy, Tuscany, Siena
Culture
Italian
Persistent Link
https://hvrd.art/o/231676

Physical Descriptions

Medium
Tempera on panel
Dimensions
107.95 x 53.34 cm (42 1/2 x 21 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Sir Joseph Duveen
Accession Year
1921
Object Number
1921.13
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Helen Comstock, "Paintings by Giovanni di Paolo in America", The International Studio, vol. 87, pp. 47-55, p. 54
  • Style and Technique: Their Interrelation in Western European Painting, exh. cat., Fogg Art Museum (Cambridge, MA, 1936), no. 15, p. 23, pl. VI
  • John Pope-Hennessy, Giovanni di Paolo, 1403-1483, Oxford University Press (NY) (New York, 1938), p. 132
  • Duveen Brothers, Duveen Pictures in Public Collections of America: A Catalogue Raisonné with Three Hundred Illustrations of Paintings by the Great Masters, which have passed through the House of Duveen, William Bradford Press (New York, 1941), cat. no. 38, repr.
  • Bernard Berenson, Italian Pictures of the Renaissance, A List of the Principal Artists and their Works with an Index of Places: Central and North Italian Schools, Phaidon (London, 1968), vol. 1, p. 176
  • H. W. van Os, Giovanni di Paolo's Pizzicaiuolo Altarpiece, The Art Bulletin (New York, September 1971), vol. 52, no. 3, pp. 289-203, pp. 289, 295, 301, repr. p. 301 as fig. 22
  • Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Harvard University Press (Cambridge, MA, 1972), p. 89
  • Andrea Kirsh, "Worlds Below: An Investigation of Infrared Reflectography" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, April 1973), Unpublished, pp. 1-25 passim
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 167, p. 149, repr.
  • Keith Christiansen, Laurence Kanter, and Carl Brandon Strehlke, Painting in Renaissance Siena, 1420-1500, The Metropolitan Museum of Art (New York, 1988), p. 220
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p.38, color plate; pp. 109, 308, repr. b/w cat. no. 587
  • Professor Carole Levin, Extraordinary Women of the Medieval and Renaissance World: A Biographical Dictionary, Greenwood Press (Westport, CT, 2000), repr. p. 33; detail repr. on cover
  • Diega Giunta, "The Iconography of Catherine of Siena's Stigmata", A Companion to Catherine of Siena, Brill's Companions to the Christian Tradition (Boston, MA, 2012), vol. 32, pp. 259-294, pp. vii, 263, repr. on book cover and on p. 264 as fig. 1
  • Melinda A. Stanley, Deborah C. Beidel, and Cynthia M. Bulik, Abnormal Psychology, Pearson Publishing (Boston, 2012), repr. as ill. on pg. 242
  • Deborah C. Beidel, Cynthia M. Bulik, and Melinda A. Stanley, Abnormal Psychology, Pearson Publishing (Boston, 2014), repr. as ill. on p. 236

Exhibition History

  • Style and Technique: Their Interrelation in Western European Painting, Fogg Art Museum, Cambridge, 06/01/1936 - 12/31/1936
  • 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 08/25/2015 - 02/19/2016

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu