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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1958.292
People
Paul Gauguin, French (Paris 1848 - 1903 Fatu-Iwa [Marquesas Islands])
Title
Still Life with Apples, a Pear, and a Ceramic Portrait Jug
Other Titles
Alternate Title: Still Life, Apples, Pear and Ceramic
Classification
Paintings
Work Type
painting
Date
1889
Culture
French
Persistent Link
https://hvrd.art/o/228202

Physical Descriptions

Medium
Oil on paper mounted on panel
Dimensions
28.6 x 36.2 cm (11 1/4 x 14 1/4 in.)
frame: 43.5 x 52.4 x 2.9 cm (17 1/8 x 20 5/8 x 1 1/8 in.)
Inscriptions and Marks
  • Signed: l.r.: P. Gauguin 89

Provenance

Recorded Ownership History
[Ambrose Vollard], sold; to Gustave Fayet, Igny, France, 1903, sold; to [Paul Rosenberg, Paris], 1928 [2], sold; to [Wildenstein & Company, New York], sold; to Mr. and Mrs. Walter E. Sachs, New York, 1929, gift; to Fogg Art Museum, 1958

Notes
[1] Vollard is noted in "Gustave Fayet: L'oeil souverain," p. 117, p. 209, note 122
[2] Rosenberg date from "Gustave Fayet: L'oeil souverain," p. 209, note 122

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Walter E. Sachs
Accession Year
1958
Object Number
1958.292
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Descriptions

Description
The (cradled) panel is mahogany.

Publication History

  • Jean-Gabriel Goulinat, "Les Collections Gustave Fayet", L'Amor de l'art (April 1925), no. 4, p. 133
  • Exhibition of French Painting of the Nineteenth and Twentieth Centuries, exh. cat., Fogg Art Museum (Cambridge, MA, 1929), no. 52
  • A loan exhibition of Paul Gauguin, for the benefit of the New York Infirmary, exh. cat., Wildenstein Galleries (New York, NY, 1946), no. 25, p. 65; repr. p. 40
  • Paul Gauguin: His Place in the Meeting of East and West, exh. cat., Museum of Fine Arts, Boston (Houston, TX, 1954), no. 27
  • Loan exhibition: Gauguin, for the benefit of the Citizens' Committee for Children of New York City, Inc., exh. cat., Wildenstein & Company (New York, NY, 1956), no. 40, p. 18; repr. p. 54
  • Gauguin: paintings, drawings, prints, sculpture, exh. cat., The Art Institute of Chicago (Chicago, IL, 1959)
  • Georges Wildenstein, Gauguin, Beaux-Arts (Paris, France, 1964), no. 405, repr. p. 155
  • Merete Bodelsen, Gauguin's Ceramics: A Study in the Development of His Art, Faber & Faber Limited (London, England, 1964), repr. in b/w fig. 112, p. 161; text, p. 160
  • Merete Bodelsen, "The Literature of Art: The Wildenstein-Cogniat Gauguin Catalogue", Burlington Magazine (January 1966), 108, no. 754, p. 37
  • G. M. Sugana, L'Opera Completa di Gauguin (Milan, Italy, 1972), no. 215, p. 100 (ill. p. 99, as "Natura morta con mele, pere e ceramica," dated 1890)
  • Lee van Dovski, Die Wahrheit über Gauguin, J.G. Bläschke (Darmstadt, Germany, 1973), no. 214b, p. 266 (dated 1890)
  • Elda Fezzi, Gauguin: The Complete Paintings, Granada (London, England, 1979), no. 361, p. 90 (ill. p. 90, as "Still Life with Apples, a Pear, and a Ceramic," dated 1889)
  • Marla Prather and Charles F. Stuckey, Gauguin: a Retrospective, Hugh Lauter Levin Associates, Inc. (New York, NY, 1987), repr. as colorplate 49, p. 161
  • Michael Hoog, Paul Gauguin: Life and Work, Rizzoli (New York, NY, 1987), repr. in color p. 131, pl. 88
  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 108, repr. as no. 393
  • The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1990), repr. in color no. 24, p. 79
  • Isabelle Cahn and Antoine Terrasse, Gauguin und die Schule von Pont-Aven, exh. cat., Kunsthalle der Hypo-Kulturstiftung (München, Germany, 1998), no. 19, p. 59, repr. in color
  • Eric M. Zafran, ed., Gauguin's Nirvana: Painters at Le Pouldu 1889-90, exh. cat., Wadsworth Atheneum Museum of Art (Hartford, CT, 2001), p. 150; repr. in color p. 36
  • Eliza E. Rathbone and George T.M. Shackelford, Impressionist Still Life, exh. cat., The Phillips Collection (Washington, DC, 2001), p. 166, repr. as pl. 75; p. 208
  • Belinda Thomson, ed., Gauguin: Maker of Myth, exh. cat., Tate Publishing (London, 2010), checklist p. 241, pl. 38
  • Magali Rougeot, ""Gustave Fayet (1865–1925): Itinéraire d'un artiste collectionneur"" (2013), Unpublished, ill. no. 167 (no. 12); color ill. no. 42
  • Magali Rougeot, ""Gustave Fayet (1865–1925): Itinéraire d'un artiste collectionneur"" (2013), Unpublished, p. 313 (as "Nature morte avec une céramique")
  • Stéphane Guibourgé, Alexandre d'Andoque, and Magali Rougeot, Gustave Fayet: L'oeil souverain, Editions du Regard (Paris, 2015), pp. 117, 209 note 122
  • June Hargrove, Gauguin, Éditions Citadelles & Mazenod (Paris, 2017), ill. 159
  • Cornelia Homburg and Christopher Riopelle, Gauguin: Portraits, exh. cat., National Gallery of Canada and National Gallery (Ottawa/London, 2019), cat. no. 112, p. 209, repr. p. 205 as ill. 112, repr. pp. 16-17 (detail)

Exhibition History

  • French Painting of the 19th and 20th Centuries, Fogg Art Museum, Cambridge, 03/06/1929 - 04/06/1929
  • A Loan Exhibition of Paul Gauguin, Wildenstein Gallery, New York, New York, 04/03/1946 - 05/04/1946
  • Paul Gauguin, The Museum of Fine Arts, Houston, Houston, 01/01/1954 - 12/31/1954
  • Gauguin, Wildenstein Gallery, New York, New York, 04/05/1956 - 05/05/1956
  • Gauguin: Paintings, Drawings, Prints, Sculpture, The Art Institute of Chicago, Chicago, 02/12/1959 - 03/29/1959; The Metropolitan Museum of Art, New York, 04/23/1959 - 05/31/1959
  • Unidentified Exhibition, Metropolitan Museum of Art, 1959, The Metropolitan Museum of Art, New York, 04/21/1959 - 05/31/1959
  • The Example of Pissarro, Fogg Art Museum, Cambridge, 05/20/1981 - 07/03/1981
  • The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, Isetan Department Store, Tokyo, 03/01/1990 - 04/10/1990; Yamaguchi Prefectural Museum of Art, 04/14/1990 - 05/13/1990
  • Gauguin and the School of Pont-Aven, Museum of Fine Arts, Boston, Boston, 06/26/1996 - 09/12/1996
  • Gauguin und die Schule von Pont-Aven, Kunsthalle der Hypo-Kulturstiftung, Munich, 08/27/1998 - 11/15/1998
  • Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000
  • Gauguin's Nirvana : painters at Le Pouldu 1889-90, Wadsworth Atheneum Museum of Art, Hartford, 01/26/2001 - 04/29/2001
  • Impressionist Still Life, The Phillips Collection, Washington, 09/22/2001 - 01/13/2002; Museum of Fine Arts, Boston, Boston, 02/17/2002 - 06/09/2002
  • Gauguin: Maker of Myth, Tate Modern, London, 09/30/2010 - 01/16/2011; National Gallery of Art, Washington, 02/21/2011 - 06/05/2011
  • Ancient to Modern, Harvard Art Museums, Cambridge, 01/31/2012 - 06/01/2013
  • 32Q: 2700 Impressionism, Harvard Art Museums, Cambridge, 04/12/2016 - 07/14/2017
  • Gauguin: Portraits, National Gallery of Canada, Ottawa, 05/24/2019 - 09/08/2019; National Gallery, London, 10/07/2019 - 01/26/2020

Subjects and Contexts

  • Google Art Project

Related Objects

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu