1916.678: Kameyama: Clear Weather after Snow (Kameyama, yukibare), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō
Prints
This object does not yet have a description.
Identification and Creation
- Object Number
- 1916.678
- People
-
Utagawa Hiroshige 歌川広重, Japanese (1797 - 1858)
Published by Takenouchi Magohachi (Hoeidō) 竹内孫八 (保永堂)
- Title
- Kameyama: Clear Weather after Snow (Kameyama, yukibare), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō
- Classification
- Prints
- Work Type
- Date
- c. 1833-34
- Places
- Creation Place: East Asia, Japan, Tokyo Metropolitan Area, Tōkyō
- Period
- Edo period, 1615-1868
- Culture
- Japanese
- Persistent Link
- https://hvrd.art/o/210198
Physical Descriptions
- Medium
- Woodblock print (nishiki-e); ink and color on paper
- Dimensions
- Horizontal ōban: H.22.9 x W. 35 cm (9 x 13 3/4 in.)
- Inscriptions and Marks
-
- Signed: Hiroshige ga
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Denman W. Ross
- Accession Year
- 1916
- Object Number
- 1916.678
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- No. 47 in the series.
Exhibition History
- Streams and Mountains without End: Landscape Paintings from China, Korea, and Japan, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 11/25/2000 - 08/26/2001
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu